Citizen

Chapter 4 - MY MOTHER CAME TO MY STUDIO

Three months after the restaurant, I rented my first real studio.

Not huge.

West Loop.

Exposed brick.

North-facing windows.

A long worktable.

I bought the table myself.

With money earned from art.

The first morning, I stood in the empty room and touched the wall like it might disappear.

Then someone knocked.

Mom.

I froze.

She stood in the hallway wearing pearl earrings and an expression carefully designed to look exhausted.

“How did you find me?”

“Jennifer.”

I stared.

“Aunt Jennifer gave you my address?”

“No.”

Mom looked irritated.

“I followed her.”

Of course she did.

“You need to leave.”

“Amber, please.”

“No.”

“Your father is falling apart.”

“That is not a reason to enter my workplace.”

She looked past me.

“This is your studio?”

“Yes.”

Her eyes moved around.

For once, she had nothing dismissive ready.

Then:

“It’s nice.”

I almost laughed.

Twenty-four years.

That was the first uncomplicated compliment she had ever given my work.

Too late to mean what it might have.

“What do you want?”

She started crying.

“Your father may lose his license.”

Broker license.

Possibly.

Scott’s firm had terminated him.

An industry review was underway.

“That’s between Dad and the regulators.”

“He made one bad judgment.”

“No.”

“Amber.”

“The restaurant was a choice.”

Silence.

“Grandma’s money was a choice.”

Silence.

“The Sterling certification was a choice.”

Her face hardened.

“You don’t know what happened with Sterling.”

“Correct.”

“So stop acting like he’s a criminal.”

“I didn’t call him one.”

“You’re enjoying this.”

There it was.

“No.”

She stepped closer.

“You always wanted to prove us wrong.”

I stared.

“When I was seven, maybe.”

She blinked.

“When I was twelve, yes.”

My voice softened.

“At eighteen, desperately.”

Then:

“Now?”

I looked around my studio.

“I don’t need to.”

That hurt her.

She lowered her voice.

“You blocked your own mother.”

“You blocked your daughter at a restaurant with a twelve-thousand-dollar bill.”

“That was your father’s idea.”

Silence.

The ugliest defense.

Not:

I was wrong.

Just:

He thought of it first.

“You left too.”

“I thought he would turn around.”

“But you didn’t.”

She cried.

“No.”

“Why?”

“Because he said you needed to learn.”

“And you agreed.”

“I didn’t know the bill was that high.”

I stared at her.

“Mom.”

“What?”

“If it had been three thousand, would it have been acceptable?”

She could not answer.

Exactly.

She looked at a framed drawing near the wall.

One of Grandma Rose’s old hands holding a pencil.

I had drawn it from a photograph.

Mom’s face changed.

“She would be proud.”

I swallowed.

“Yes.”

That angered her.

Maybe because she heard what I did not say.

You weren’t.

Then she whispered:

“I was afraid for you.”

“What?”

“Art.”

She looked around.

“I thought if we encouraged it and you failed, you would blame us.”

I laughed sadly.

“So you made sure I knew you expected failure first.”

“I wanted you secure.”

“No.”

I shook my head.

“You wanted me predictable.”

That was the difference.

My mother left without getting what she came for.

No call to Marcus.

No forgiveness.

No promise to drop the estate claim.

But at the door she stopped.

“I’m sorry I walked out of Lucille.”

I looked at her.

Specific.

Finally.

“I’m sorry I blocked you.”

Better.

“And I’m sorry I called you a failure.”

My throat tightened.

There it was.

I nodded once.

“Thank you.”

She waited.

Nothing else came.

Because an apology is not a vending machine.

May you like

You do not insert three correct sentences and receive your daughter back.

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